Wabanaki Artists take top spots at Santa Fe Indian Market

For the past 90 years, Santa Fe Indian Market has been bringing together the most talented Native American artists from around the US. As the largest Native arts fair in the world, the market covered the Santa Fe Plaza and surrounding streets this past weekend, and consisted of a myriad of events — galas, art openings, music and experiences, fashion shows, and the much anticipated juried art show. Several Wabanaki artists were in attendance this year, and a couple are coming back to the East Coast with some impressive ribbons.

Abbe Museum Fellow Emma Soctomah, Passamaquoddy, won first and second place in the Youth Division, which is her third consecutive year winning the top two spots.

Sara Sockbeson, Penobscot, won first place in Miniatures and second place in Contemporary. Her two winning baskets featured deer antler handles, which she sliced into cross-sections and then carved and polished each one, drilling a hole through the center. Sarah has said that all the antler handles she makes are unique for each basket.

Abbe Museum Educator George Neptune, Passamaquoddy, received an Honorable Mention in Traditional Basketry. George has admitted that he likes turning his baskets into sculptures, and that they’re all slight adaptations on traditional methods he has been taught.

The market is definitely a meeting of buyer and artist, but it proves year on year to be so much more than just that. It’s a place where artists gather to share their creations, their traditions, and their stories. It helps make possible the continuation of traditional life, whether on a pueblo outside Santa Fe or in a small town in Maine.

More official results of all the winners will be posted soon. The Best of Show winners list is currently available on the Santa Fe Indian Market website.

Congratulations to all the Wabanaki artists!

Annual Meeting Highlights

The Abbe's 2015 Annual Meeting was held on Wednesday, August 12th and we covered a lot of ground as we reported on fiscal year 2014, as well as our plans for the future. There were demonstrations by four Native artists, a sneak peek at our new strategic plan, and we honored an outgoing Trustee with the highest award bestowed by the Abbe.

Back in July, the Abbe named its 2015 Wabanaki Artist Fellows, recognizing three exceptionally creative individuals with a track record of achievement and the potential for significant artist contributions in the future: Donna Brown, Penobscot; Ganessa Frey, Penobscot; and Emma Soctomah, Passamaquoddy. These fellowships were made possible through support from Dawnland, LLC, the concessioner in Acadia National Park, who was in attendance at the Annual Meeting. All three Fellows gave demonstrations during the Annual Meeting, delighting guests with their art and answering any questions.

Ganessa Frey discussed basketmaking with Abbe supporters Joe and Cathy Gerstner.

Emma Soctomah admitted that artwork is very important to her, and she spends much of her time outside of school making baskets. She's off to the Santa Fe Indian Market this month to try and win some more awards. 

Donna Brown discussed her traditional beadwork with Abbe Trustee Sandy Wilcox.

The fellowships awarded are intended to provide support for travel, lodging, and other costs associated with exhibiting at Indian art markets in Maine and New Mexico. Emma and Ganessa will attend the 2015 Southwestern Association for Indian Art’s Santa Fe Indian Market (SWAIA), and Donna attended the 2015 Native American Festival and Basketmakers Market last month.

Gabriel Frey, Passamaquoddy, also gave a basketmaking demonstration. A utility basketmaker, Gabe uses his family's traditional knowledge and style to create beautifully woven, sturdily built utility baskets that can be used for a variety of purposes.

Gabe Frey (far right) carries on the tradition, high quality, and style of his grandfather who taught him, while incorporating his own individual aesthetic, forms, and decorative weaves. 

The Golden Trowel Award, the highest award bestowed by the Abbe, was presented to Art Spiess for his invaluable contributions in making the Abbe Museum's annual Field school happen. This school has been an integral part of the Abbe’s archaeological work since the 1980s, and is one of the most significant ways we teach about archaeology and engage people in this important way of learning more about Wabanaki history and culture. The success of the field school over the years has been due in large part to the outstanding contributions of archaeologists, anthropologists, historians, and educators from around Maine. And for the past nine years, nobody has been as essential to that success at Art Spiess.

Art received his PhD in Anthropology from Harvard University in 1978, and he began his career at the Maine Historic Preservation Commission that same year. Art has been on the Board of The Maine Archaeological Society for more than 20 years, and he serves as the Editor of Archaeology of Eastern North America for the Eastern States Archaeological Federation.

Art has generously given his time and expertise to the field school, leading this outstanding annual learning experience. He has also been key in helping the Abbe keep our practices and policies around archaeological research and collections up-to-date with current standards and legal requirements. He has guided archaeology in Maine for over four decades of work at the Maine Historic Preservation Commission, and his depth of knowledge has been essential to the success of the field school.

Abbe's Director of Collections & Interpretation presented Art with the Golden Trowel Award.

The night ended on an exciting note: the Abbe's new strategic plan. This plan will guide the next phase of the Museum’s growth and development, from its adoption in 2015, through the next five to seven years. Our mission hasn’t changed, but our vision has a new focus:

The Abbe Museum will reflect and realize the values of decolonization in all of its practices, working with the Wabanaki Nations to share their stories, history, and culture with a broader audience. 

There are three phases to the plan, and phase one will kick-off very ambitiously this fall. The Abbe's President & CEO, Cinnamon Catlin-Legutko, gave a sneak peek of each goal, which will include a permanent exhibit, new and improved web presence, expansion of our dialogue-based programming, development of an archaeology advisory committee, an online collections database, and producing the Abbe Museum Indian Market. An official plan will be rolled out very soon!

A very big thank you to all those who came to the Museum on Wednesday to celebrate with us! We can't wait to see what happens next!

Abbe Museum Named Maine’s First Smithsonian Affiliate

Harold Closter and Cinnamon Catlin-Legutko

The Abbe Museum in Bar Harbor, Maine has been accepted as a Smithsonian Affiliate. This affiliation establishes a long-term partnership between the Museum and the Smithsonian Institution. There are currently 179 Smithsonian Affiliates in 42 states, Puerto Rico and Panama. The Abbe Museum is Maine’s first affiliate. 

“Becoming a Smithsonian Affiliate will support exciting collaborations between our organizations, while dramatically expanding the Abbe Museum’s visibility in the market place and in Maine’s cultural community,” says Abbe CEO, Cinnamon Catlin-Legutko. “Collaborative projects are key to the Abbe’s strategic direction. The Smithsonian is an incredible institution with tremendous scope in reach and resources. We are thrilled to share those resources with our community and members.”

The partnership will provide the Abbe Museum access to the Smithsonian Institution’s many resources, including its 136 million object collections, scholarships, and educational opportunities for staff, traveling exhibits, and membership benefits. Additionally, the Abbe and the Smithsonian will begin to pursue collaborations with one another, spreading the work of both cultural institutions. 

“The Abbe Museum,” noted Harold A. Closter, director of Smithsonian Affiliations, “is well-recognized for its outstanding collections, first-class exhibits, professional staff and commitment to education.  With a mission that so thoroughly matches the work of the Smithsonian, we are honored to welcome the Abbe Museum into the family of Smithsonian Affiliates and look forward to working with this impressive organization to help preserve the rich heritage of Maine and share the inspiring stories of its people.”

Collaboration with the Smithsonian is something in which the Abbe Museum already has experience. When Abbe’s downtown location opened, the Museum borrowed three collection items for the exhibit Four Molly’s: Women of the Dawn, guest curated by Bunny McBride. 

On May 23rd, the Smithsonian traveling exhibit IndiVisible: African-Native American Lives in the Americas will go on display in the Abbe where it will remain through August 4th. The exhibit comes to the Abbe through the Smithsonian Institution Traveling Exhibition Service (SITES), and explores the intersection of American Indian and African American cultures. The exhibit shares historical and contemporary stories of peoples and communities whose shared histories are woven into the fabric of American identity, but whose presence has long been invisible to many in the U.S. IndiVisible was developed by the National Museum of the American Indian with the National Museum of African American History and Culture. 

The Abbe has long enjoyed a relationship with the Smithsonian’s National Museum of the American Indian (NMAI), particularly working together in the development of educational programming.  

Finally, a current Abbe Board Member, member of the Passamaquoddy tribe and renowned Native artist, David Moses Bridges, has worked extensively with the Smithsonian Institution as a researcher, consultant, and educator.

“I was very excited to learn of our relationship with the Smithsonian,” says Moses Bridges. “I have always been impressed by the Smithsonian’s commitment to include Native people as the caretakers and interpreters of the collections they oversee. By recognizing the family connection between objects and communities they have set a new standard of museum relationship with indigenous people. The Affiliations program allows the Abbe Museum and its visitors access to the greatest collection of Indigenous art in the world. Anyone who has stepped inside the Smithsonian will understand that the Abbe Museum’s new affiliation with the Smithsonian is surely something to be excited about.”

Smithsonian Affiliations, established in 1996, is a national outreach program that develops collaborative partnerships with museums and educational and cultural organizations to share Smithsonian Institution resources with citizens in their own communities. The program works with Affiliates to enrich communities with Smithsonian scholars, public programs, and professional development opportunities. Affiliate partner organizations demonstrate excellence in their work and commitment to the Smithsonian emphasis on heritage, preservation, and education.

Media availability: Abbe staff members and Smithsonian staff members are available for interviews. Please contact Johannah Blackman: johannah@abbemuseum.org, 207-288-3519.